Yellow Roses on Gallery Wrap Canvas, 8" x 10"

"LaNice's Gift"


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My Studio warming party was held this past Sunday. We had around 40 people or so - we had invited around 75. That's OK - the ones who showed were true blue and we had a ball. I turned the studio into a little night club with cozy tables and put a red gel in the theatre spot light on the ceiling. We lacked the darkness of a nightclub in that it doesn't get dark here until about 10:00 PM now, but it didn't seem to bother anyone and, in fact, we partied from about 5:00 PM to 10:00 PM and then went down with the sun.

These roses were a lovely gift of summer from a long time friend and collector. So I named the flowers after her. Here's to you LaNice. Thanks for coming to my party. It's friends like you that warm my heart and bring inspriration on days when nothing else seems to be stirring.

Here's a pic of my friend Coffee (far right) and some of his friends burning up the dance floor, er, studio.



Watercolor of Yellow Roses, 11" x 14" image, matted to 16" x 20"

"Playing with Roses"
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Just got to playing the other day. Not really wanting to put out my full palette of oils, I reached for a jar of water and splashed some watercolor around. Then I thought, "Hmm, this could use some pastel". So I dug those out too. All in all just a dipsy doodle day. Here's what came of an hour of splash.
This painting come matted in a 16" x 20" matt and ready to frame.

"Rayon de Soleil"



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I've just finished this one. Can you tell I'm suffering from a little identity crises? I've been doing a lot of close realism in class but three years of painting in a loose impressionist manner has made a deep and lasting influence on my style. I suppose I'm searching for something between the two. These roses are a bit tighter than my usual. Hope you like them. There's so much more texture on the vase than shows here.

Nude Figure Study, 9" x 12" Oil on Panel



We've been working on temperature studies in class this month. This piece, although, rough, was done on Tuesday. While not completely accurate, I'm pleased (and so was the master) with the overall temperature accuracy. Unfortunately, I got stuck at the end of the semi-circle around her and therefore had to cope with a side view. Not too interesting and static as far as poses go. I hope to make these small studies more pleasing to the eye as well as accurate as time goes by. While I've done many figure studies on this blog, only a few have been from life. The rest have come from photos which I bring up on my laptop because the lighting is more accurate that way. This is much more difficult as I'm racing against time and the hues are more elusive. Some day I hope to be able to afford models for long poses over a few days.

Sunset on the Hamma Hamma Salt Marshes, 5" x 7", Oil on Panel

"Solitude"
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I've been forced to take a five hour drive home from my Tuesday Atelier class in Seattle due to the temporary closing of the Hood Canal Bridge. This usually brings me to the Hamma Hamma River and the adjacent salt marshes about sunset (we have long days here in Washington now). I haven't had my camera with me but I've pulled off the road and tried to take some mental notes that I could translate into a small study. Here's my first one. The water looks a bit greener here than in the actual painting. I guess I need some work with photoshop.

Tea Pot Painting, Oil on Linen, 14" x 18"

"Crystaline Tea Pot"






Hooray! I'm finally working out some of the kinks in photographing my work with my digital camera. This never used to be an issue but lately it seems I've had a horrible time getting a good shot with it. So today I spent an hour or two figiting with the manual mode and the (OMG) user's guide. It's a good thing I have a Master's Degree. I needed it. Anyway, the research helped and I have a much better image to show for my time.

Most of you will recognize this Tea Pot as it's been the subject of many paintings. I first painted it in pastel about 10 years ago. I've shown that painting here before and you can see it below as a comparison. I've never been able to capture it quite a well as I did in that pastel, but I think I've come close here. I've been working on this piece as an entry for the Oil Painters of America Western Regional Juried Show. I've taken it as far as I think I can. Now I'll just hold my breath. It's my first attempt so I don't have high expectations, but I can dream can't I? Here's the old pastel. What do you think? Did I do a good job with the oil? The light is, of course, different. In the original pastel I used warmer artificial light and in the recent oil above, I used natural north light. Additionally, the cool green against the warm red cloth and background do make the pot appear a bit brighter and more colorful although I've done my best to play that down a bit. Groan...I'm perseverating.



Lilacs in the Light, Oil on Canvas Panel, 5" x 7"

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On one of my morning walks I spotted Lilacs growing beside the Hwy. I believe this empty lot was once a front yard although the remnants of the home are no longer visible, there are lots of flowers that were once part of someone's garden.

I ran out of hardboard which is my preferred painting support and so this is on canvas panel. The pesky facets of the canvas make for difficult photographing. This is actually a lot clearer than it appears. Remember the camera is an extreme close up. Additionally, because I have to shoot in low light, the photo gets a bit of over exposure that is difficult to correct for on photoshop. All in all, however, it's not too bad a photo job. Enjoy.

Asian Jar with Pears, Oil on Panel, 11" x 14"




I locked myself in the studio today. After having been tied up with classes and teaching for days, it was nice to have the studio to myself for awhile. I started this piece the other day but had to stop in the middle because of other committments. Like marriage. While I'm happy with the jug in the back, there are still things that I'm not satisfied with. I believe I'm still at a juncture in my painting and not entirely certain of where to go to next. It's sort of like being at the edge of a cliff. Taking the next step is like a leap of faith. My classes are going well enough, but the pace is slow and it will be awhile before what I'm learning translates itself to my work. I think, I'll try for a stronger sense of realism in the next substantial piece. In the meantime, you may see a small one or two. I have a couple of weeks before I go back to class. I'll be staggering for a few weeks until the end of the June session because of the Hood Canal Bridge Closing here on the peninsula. It takes an extra two hours to drive to and from Seattle so I'll be taking it easy on myself by skipping a couple of classes. School is out then from the end of June through mid September. I'll be glad for the break. Heavens! It took me five hours to come back from school on Tuesday.

Sunflower in a Mason Jar Painting, 9" x 12" Oil on Panel

"Sunflowers in a Mason Jar"



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I spent a few days in Albuquerque soaking up the sunshine this past week. Part of my trip included taking in the Oil Painters of America National Juried Exhibition in Santa Fe. What an incredible show. I got to see so many beautiful pieces of work. I didn't enter this year as I didn't have anything prepared to send out. But I'm busily working away on some entries for next year. I'm inspired!