Oil Painting of Asian Tea Pot on Woven Cloth, 8" x 10", Oil on Gallery Wrap Canvas
"Blue China Tea Pot"

Time for detail. I took an extra day to let things dry so I could put a bit of detail into this piece. I adore this little blue tea pot and have used it in a few other paintings. I've yet to capture it's sweet essence. I picked up this red woven scarf in Spain in October and I had a lot of fun painting it. Imagine what I could do if this was a weekly painting instead of a "daily" one?
Time for detail. I took an extra day to let things dry so I could put a bit of detail into this piece. I adore this little blue tea pot and have used it in a few other paintings. I've yet to capture it's sweet essence. I picked up this red woven scarf in Spain in October and I had a lot of fun painting it. Imagine what I could do if this was a weekly painting instead of a "daily" one?
Soft Light on Violet Blooms, 8" x 10" Oil on Gallery Wrap Canvas
SOLD

I recently purchased about 50 canvases at a good price. I simply forgot when I did this that I always have a problem photographing the darn things. Seems my camera picks up every little bit of light on the weave and magnifies it. It makes getting a good photo very difficult. I'm going to start gessoing these canvases so as to smooth out the grain and get a clearer picture. But you'll just have to take my word for it that this picture is beautiful and sharp in person. There's a nice thick paint layer on it as well. The blooms jump off the canvas. All paintings are guaranteed and returns are ALWAYS at my expense. Shipping on this little gem is free. It's a gallery wrap canvas. No need to frame.
I recently purchased about 50 canvases at a good price. I simply forgot when I did this that I always have a problem photographing the darn things. Seems my camera picks up every little bit of light on the weave and magnifies it. It makes getting a good photo very difficult. I'm going to start gessoing these canvases so as to smooth out the grain and get a clearer picture. But you'll just have to take my word for it that this picture is beautiful and sharp in person. There's a nice thick paint layer on it as well. The blooms jump off the canvas. All paintings are guaranteed and returns are ALWAYS at my expense. Shipping on this little gem is free. It's a gallery wrap canvas. No need to frame.
Pink Rose, 5" x 7", Oil on Board
Here's another little bloom I worked on today. It's of the rose family but I'm not really sure which one. Maybe someone can help me out here. This little gem is painted in glazes so it glows nicely with a little light on it. I like the way the transparent Burnt Umber background looks like wood grain. Just a happy accident. Enjoy.
"Magnolias", Oil on Board, 5" x 7"
SOLD

One of the things I've been considering as I return to painting on a regular basis is what I'd like to include or change about my daily painting routine in order to keep it fresh and, above all, interesting for myself. I'm always looking for a challenge. Daily painting - or almost daily - when you're trying to actually do a finished piece, can easily lead to burn out. As I am currently studying realism in the classical form at an atelier in Seattle, I've decided to try as often as I can to include small realistic paintings. As these are quite time consuming, I won't be doing them all that oten. But the purpose is to hone my skills and not take up a lot of studio space while I do it. So these are by necessity small, post card paintings in the spirit of the original daily painting movement. I'm offering them at low prices because they're a bit different than my usual fast work and also because I just think folks need a break these days. Enjoy.
Below is the slide show I promised from the demo at Sequim Arts in Sequim WA last week.
One of the things I've been considering as I return to painting on a regular basis is what I'd like to include or change about my daily painting routine in order to keep it fresh and, above all, interesting for myself. I'm always looking for a challenge. Daily painting - or almost daily - when you're trying to actually do a finished piece, can easily lead to burn out. As I am currently studying realism in the classical form at an atelier in Seattle, I've decided to try as often as I can to include small realistic paintings. As these are quite time consuming, I won't be doing them all that oten. But the purpose is to hone my skills and not take up a lot of studio space while I do it. So these are by necessity small, post card paintings in the spirit of the original daily painting movement. I'm offering them at low prices because they're a bit different than my usual fast work and also because I just think folks need a break these days. Enjoy.
Below is the slide show I promised from the demo at Sequim Arts in Sequim WA last week.
Dogwood with Poppies, 12" x 16" Oil on Linen
I'm back! I tried to think of something witty to say but the simple truth is, it's done! Well mostly. There are a few details like a sink and the outside painting and landscaping, but that doesn't affect me or my ability to paint. The office is finished, the studio is mostly done and I am back to work - officially - today. And I must say, it's good to be back. I enjoyed the absence of pressure in not having to post something nearly every day, but I missed being "in touch". Even when I don't hear from folks out there, I know I'm being seen and heard and that seems to be enough to push the isolation of the studio away for a while.
This painting was completed during a demo at the Sequim Arts meeting in March. I intended to do a small 9" x 12" painting much like the ones I usually post here but one of my students pointed out to me that folks in the back rows wouldn't be able to see a thing. So I chose a larger canvas and painted with bigger brushes. The photo doesn't do it justice as the painting is on linen and the darn stuff reflects every little bit of light in the room. It's hard to keep a sharp image and still correct for the glare. I'm working on getting a better photgraphy set up. Well, I'm running late for my class in Seattle, so I'll post the slide show of the demo on Wednesday. See you then.
New Studio Construction
Phew. Almost done. For the past three weeks I've been moving, cleaning and organizing the new studio. That's involved building new furniture (vertical files, matting table, tool caddy, flower tree, model stand, computer caddy and a lightbox table). The light box already exists but it needs a special table to stand on with a glass bin and cabinet for tools. What can I say...I'm in organizing mode. I've also been painting moldings, and doors, hanging pictures and continuously washing floors. I haven't even gotten to the house yet. But I just found the guest room walls! Seriously. I hadn't seen them in four years for all the paintings, frames, boxes and supplies cramming the room. I'm so glad I took this month and a half off from work to get things done. I'm throroughly exhausted at the end of every day and there's no way a painting could come out of this craziness. But it's almost done. I'm giving a demo at the Sequim Arts meeting on Thursday and will finally get to paint. My students will be having their second lesson on Wednesday in the new studio so once my office is moved later this week or early next week, I anticipate being able to finally settle down and work in a peaceful, organized and airy space.
I kmow you've all been busy in your own lives and haven't given a thought to this blog, but still it's nice to know there are folks out there that will be happy to see my work appearing regularly again here and in there mailboxes. Here are some photos of the work in progress.
This first shot is of the old studio - soon to become my new office and packing/framing room. You can see the matting table I built at the far end of the room. It has a picture leaning against it. Things are still out of order here because the workmen have to finish the thresholds between the old and new studios and in the closet as well. The French Doors on the right lead into the new studio.

This next shot is the left side of the same room. Things will be moved around a bit when my desk gets moved in (awaiting a phone line for the modem). The still life shelves are on the near left. We moved them in there yesterday from the studio so that we could keep the space open in there. If it proves to be an inconvenience in the future, we'll just move it back.
Here's one of the vertical files I built. I made this one to fit over some flat files and thus fill the dead space above them. It holds an abundance of stuff that had been cluttering up the walls and floors of my home. The French doors to the new studio are just beyond it. It took my friend two hours to scrape the plastic and white paint from the glass on the left door yesterday! I honestly think Home Depot would be better off not putting that stuff on there. Tape works better and is easier to remove. The door on the right has a blemmish in it an has to be exchanged for a new one. You can see the threshold below the door still has to be finished.

Welcome to the new studio! Here's a full shot from inside the French Doors. The only thing missing from this shot is the model stand which still needs to be built and the Par theatre light which still needs to be hung. The work table in the center of the room is just a hollow core door on horses which can be broken down when classes are in session or open studio occurs. You can see an ironing board or two scattered about also if you look closely. I use them for still life set ups because they fold up and can be adjusted to various heights. For flooring, we finally found a great buy on Carbonized Bamboo. We got it at less than half price - about $2.74 a square foot. My cat, Boo Boo loves this room. He's in the bottom left of the picture.

Here's a close up of my painting corner. Although everything is on wheels and can be moved easily, I choose to paint in this corner because of the way the light flows in through the north facing window. The small clear story windows behind can be blocked off easily to control the light.

Moving around the room...this shot is the north west corner. There will be a light table there eventually for stained glass work.

This next pic is of my drawing board corner. I love this light filled space. A good place to plan and seek inspiration.

And lastly is my flower tree. With all the work I do in florals, I have managed to collect quite a pile of silk flowers. They were previously kept in plastic bags piled on top of furniture or under things where ever I could find space. Now they're organized in a tree that hangs from my ceiling. I can lower the tree anytime I want a few flowers, pull them from the tubes that house them and then up goes the tree - out of my way!

I hope you've enjoyed my studio tour and can see that the time spent away from the easel has not been wasted. Give me another week to finish the office and I'll be back with you, happily painting away. Take care until then.
I kmow you've all been busy in your own lives and haven't given a thought to this blog, but still it's nice to know there are folks out there that will be happy to see my work appearing regularly again here and in there mailboxes. Here are some photos of the work in progress.
This first shot is of the old studio - soon to become my new office and packing/framing room. You can see the matting table I built at the far end of the room. It has a picture leaning against it. Things are still out of order here because the workmen have to finish the thresholds between the old and new studios and in the closet as well. The French Doors on the right lead into the new studio.
This next shot is the left side of the same room. Things will be moved around a bit when my desk gets moved in (awaiting a phone line for the modem). The still life shelves are on the near left. We moved them in there yesterday from the studio so that we could keep the space open in there. If it proves to be an inconvenience in the future, we'll just move it back.
Here's one of the vertical files I built. I made this one to fit over some flat files and thus fill the dead space above them. It holds an abundance of stuff that had been cluttering up the walls and floors of my home. The French doors to the new studio are just beyond it. It took my friend two hours to scrape the plastic and white paint from the glass on the left door yesterday! I honestly think Home Depot would be better off not putting that stuff on there. Tape works better and is easier to remove. The door on the right has a blemmish in it an has to be exchanged for a new one. You can see the threshold below the door still has to be finished.
Welcome to the new studio! Here's a full shot from inside the French Doors. The only thing missing from this shot is the model stand which still needs to be built and the Par theatre light which still needs to be hung. The work table in the center of the room is just a hollow core door on horses which can be broken down when classes are in session or open studio occurs. You can see an ironing board or two scattered about also if you look closely. I use them for still life set ups because they fold up and can be adjusted to various heights. For flooring, we finally found a great buy on Carbonized Bamboo. We got it at less than half price - about $2.74 a square foot. My cat, Boo Boo loves this room. He's in the bottom left of the picture.
Here's a close up of my painting corner. Although everything is on wheels and can be moved easily, I choose to paint in this corner because of the way the light flows in through the north facing window. The small clear story windows behind can be blocked off easily to control the light.
Moving around the room...this shot is the north west corner. There will be a light table there eventually for stained glass work.
This next pic is of my drawing board corner. I love this light filled space. A good place to plan and seek inspiration.
And lastly is my flower tree. With all the work I do in florals, I have managed to collect quite a pile of silk flowers. They were previously kept in plastic bags piled on top of furniture or under things where ever I could find space. Now they're organized in a tree that hangs from my ceiling. I can lower the tree anytime I want a few flowers, pull them from the tubes that house them and then up goes the tree - out of my way!
I hope you've enjoyed my studio tour and can see that the time spent away from the easel has not been wasted. Give me another week to finish the office and I'll be back with you, happily painting away. Take care until then.
Chaos
OK. I've been whining and complainting but most of you don't have a clue. Here's what has been my temporary set up for painting. My dining room. I'v managed to teach three students in here and put out an occasional painting while the chaos continues throughout the house. This doesn't look bad, and in truth, it isn't horrible, just close and difficult because I have to keep moving things back into the old studio to keep stuff out of the way while I search for materials for each project. Here's a pic of the living room with the dining room stuff stuffed into it.
It's difficult to control the light in the dining room because I'm surrounded by french doors and a couple of skylights. Here's the old studio. I spent 9 hrs yesterday putting a matting and framing table together. The project is in the foreground covered by a tarp. It's huge, but not as large as the photo makes it appear. Nearly everything is coated with plaster dust. I've put up and taken down tarps for five months. Forget it. I'll clean it all in a couple of weeks. It's hard enough to find things without me suffocating in a plastic baggie.
This next photo is of the chaos in the back of the old studio.
See what I mean?
OK. Here's a shot of my guest room which is housing all my paintings and still life objects so they don't get smooshed by the workers. I can't let my cats in here or they'll get lost. Seriously.
Last...but definitely not least of all, is a picture taken through the new french doors into the new studio. We finish mudding today and the wall texture goes on tomorrow. Then we paint. Add the wall switches and lighting and lastly, the floor. So in about three weeks, hurray! It will be done. I hope. Five months late, but done.
But then the real work for me begins. I'll have to get things organized, pictures hung, new furniture built and installed and all my supplies organized. Then I have to CLEAN MY HOUSE!!! So - all this to say, you won't be hearing much from me for a month or so while things get organized. I'll post whenever I can clear enough space to put something out, but I anticipate being pretty busy and burried here over the next few weeks as things draw to a final chaotic end. Wish me well and I promise to write.
Dogwood and Tangerine Painting, 15.5" x 18.25", Pastel on 2 Ply Cotton Rag
"Dogwood Daze"Currently NFS

Painting is becoming more and more of a challenge with the mess around me growing daily. We're into the third day of drywall and mudding. I'm told to expect at least three more before they plaster and paint. Sigh. I purchased the materials for my matting table today and hope to sneak into the empty studio space on Sunday when the workers are gone and put the thing together.
However, I did manage to get a bit of work done yesterday and today. My husband helped me move my huge case of pastels into the dining room (the drawers tipped forward, oh no!) and after I made some order out of the mess, I started this painting. It's a mixed media, actually. The underpainting is done in watercolor and then I've worked glazes of pastel into it. I've found that this technique works best on rag. While the paper is a bear to raise a nap on, once you do, the surface allows you to get multiple lazers of pastel in thin glazes. I'm entering this one in the Northwest Pastel Society members juried competition. They've advertised that it's an "anything goes" show for pastel so I'm hoping the mixed media flies. Wish me luck.
Painting is becoming more and more of a challenge with the mess around me growing daily. We're into the third day of drywall and mudding. I'm told to expect at least three more before they plaster and paint. Sigh. I purchased the materials for my matting table today and hope to sneak into the empty studio space on Sunday when the workers are gone and put the thing together.
However, I did manage to get a bit of work done yesterday and today. My husband helped me move my huge case of pastels into the dining room (the drawers tipped forward, oh no!) and after I made some order out of the mess, I started this painting. It's a mixed media, actually. The underpainting is done in watercolor and then I've worked glazes of pastel into it. I've found that this technique works best on rag. While the paper is a bear to raise a nap on, once you do, the surface allows you to get multiple lazers of pastel in thin glazes. I'm entering this one in the Northwest Pastel Society members juried competition. They've advertised that it's an "anything goes" show for pastel so I'm hoping the mixed media flies. Wish me luck.
Draped Reclining Nude Pastel Painting, 13" x 11"
"Draped"
By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.
By now you probably think I've lost my mind. This is a pastel done of the same figure I've been working with. I've changed the colors quite a bit here and played around in layering and glazing some pastels. I had some 2 ply cotton rag sitting around the studio and although it's not generally used for pastels, I realy like it because it allows me to layer lightly and glaze one color over the next. Look at the cloth and the bottom of the painting, for instance. See all those lovely colors playing off each other? You really can't get that with a lot of the newer pastel papers on the market. They're very good for handling a lot of the medium, but they don't allow you to put light layers on like this. I'm beginning to see the merit of working in a series because it actually has been giving me quite a few ideas for other works I'd like to try.